The workshop
in Sassari on the New Approach to string instruments, based on Kató
Havas'
works, took place on last Friday 20 and Saturday 21 April 2012, at the
Conservatoire of Music Luigi Canepa. This too was a great occasion,
with a good
number of participants, with students alternating to
reconcile their other school commitments. Some were able to attend the
workshop in Sassari for the whole two days, others for less time.
Thanks a lot to
all participants and to the organizers.
The workshop in Sassari on the New
Approach was open to conservatoire students of the stringed
instruments department, in
particular violinists and violists, although the department included
also other instruments.
As already said, many principles of
the New Approach can be
applied also to other instruments and so we had a mixed attendance that
included students of
various levels: several violinists,
two cellists, one harpist, two pianists as well as some teachers.
Among those principles that can be applied also to everybody,
that of playing "from inward outwards",
that is, with the movements originating not from the fingers but from
the centre of the person, from the shoulders, starting with the
rhythmic pulse throughout the body; the elimination of physical blockages and how to do this; the exceptional
importance of singing
a piece of music with the
rhythmic pulse and the
imagination before playing it,
that changes completely the way one plays it later. Here too everyone
was able to experience on
himself and see in all the others the "before" and "after". We also saw
that singing
the intervals before playing them helps with the intonation.
Toward the end of the two days also a group of wind instrument players
arrived, who had finished an orchestra rehearsal. So we had some small
groups (from 2 to 5 instrument) who played. Then they sang before
playing again the same piece and we saw that the ensemble playing,
intonation and tone quality improved.
The good thing of having such a mixed group of participants is that
everyone can see that nearly everybody has the same
problems and that the application of the
New Approach principles can be of benefit
at all levels!
As Kato Havas says, the
New Approach concepts are unbelievably simple: the use of
natural movements, not
forced ones, playing with our head,
not with the fingers. This doesn't mean that can be
acquired in one week, it takes some time to be able to put them into
practice completely, but they can be learned in a short time.
Information on
the New Approach and Kató
Havas, with videos of a
workshop
Some students' comments
I've rediscovered the
pleasure of playing and conveying the intentions of the composer who wrote the piece. Through the harp I can bring out the
"gift" of music that
musicians have. (harp)
This course was very useful for me because I've
realized that it is possible to play without fear but with the pleasure of emphasizing what the composer wrote. From today on, I want to
put much more of my interpretation and play for
me and for the audience. Thank you!!! (violin)
I'm happy I followed
this workshop because, thanks to it, I've learned not to worry about
other people's judgment, but to play for me and for the audience, just
for the pleasure of doing it. Thank you (violin)
See you at the next occasion!
Read about other workshops
You too can organize a
workshop, read here how to do
To learn more about the New Approach by Kato Havas:
Watch Kato Havas' workshop, with videos
Teaching DVD:
causes and cures of physical injuries and anxiety
Violin
and viola books
Go from New Approach
Workshop in Sassari to Kató
Havas
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The "Luigi Canepa" Conservatoire of Music of Sassari
The presentation of the workshop in Sassari
Participants at the workshop in Sassari
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